Resources
| Jazz Links | Recommended Listening | Application for admission to this course (Don’t show up without advanced
permission.)
This
course introduces theory and practice of modern jazz improvisation, from basic
harmonic concepts through solo and group performance. The level is typically
beginning through intermediate, with some advanced players also participating.
Each semester we base our playing on tunes by a specific celebrated
composer/performer. This semester it is
saxophonist/composer Gerry
Mulligan. (We have previously featured Horace Silver, Sonny Rollins,
Miles Davis, Charlie Parker, Thelonious Monk, Dizzy Gillespie, Benny Golson,
John Coltrane, Tom Harrell, and Freddie Hubbard.)
Bob
Keller 1253 Olin (office
hours 4-5:30 MTW, by drop-in, or by appointment), keller at cs dot hmc dot edu,
x 18483
The
art of simultaneously hearing, composing, and performing music. Chords, scales,
chord progressions, and tunes of modern jazz. Theory, listening, analysis, and
group practice in improvisation skills. 1.5 Credit hours, may be repeated for
credit.
Prerequisites:
Music-reading ability,
ability to play the twelve major scales on one's primary instrument, motivation
to play jazz, permission of the instructor. Please complete the application for admission to this course if interested. Note: Repeating for credit is by invitation only, based on progress
and attendance in the previous semester.
Wed. 8:30-10:00 p.m., 2nd Floor, Sprague
Library
Participation
and practice 40%, Written work 30%, Final Performance 30%. The proficiency
level of participants generally varies widely. Accordingly, grading is based on
diligence, rather than absolute performance level.
You are expected to practice daily. It
will require self-motivation and effort. If you have no intention of exerting
yourself, please don't sign up for this class. It is not
intended as a casual jam for those who don't practice between meetings.
Please note: Attendance at class is
absolutely required. If
you need to be excused, please ask in advance, because unexcused absences will
affect your grade negatively.
There
is a required book and CD combination: Hal Leonard, Volume 43, Gerry Mulligan Jazz Play Book and CD For All Instruments
(available direct from the publisher http://www.jazzbooks.com).
(There is also a Volume 42 of Gerry Mulligan, but we won’t require it.) Everyone
except vocalists and drummers please acquire a copy by the first class meeting.
We will also use the free Impro-Visor
software tool from HMC.
Suggested
Instrumental Tunes
|
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There are several good jazz theory
books. Ask me if you'd like a recommendation for one to suit you.
Also
see the Resources link at the top of the page.
Concept
Outline
Listening suggestions Jazz rhythmic style Intervals , Inversions Cycle of fifths Major and minor chord structures:
Dominant
and other chord structures:
Resolution of dissonant intervals Chord resolutions, Voice leading Blues progression Use of leading tones |
Concept
Outline (continued)
Scales
Keyboard voicings
Solo analysis Solo construction {Minor, Minor} ii-V-I progressions Tritone substitutions Secondary dominants |